تجمع للنقد الادبي - ملخصات - اسئلة - مناقشه

[انترنت]

الاسئله تحتاج للحل



2Different critics respond to texts:
a) in the same way.
b) in various ways.
c) in a way that shows full agreements over the method of analysis.
d) in a way that shows that their approaches are the same
-3What lies at the centre of the literary criticism mapW
a) the critic himself.
b) the different school he/she belongs to
c) the text or ork itself.
d) the audience
.
-4Texts were originally written and directed to a particular
a) critic.
b) author.
c) audience (i.e., the reader.(
d) a certain class within society.
-5Formalist criticism emphasizes the work as an independent
creation means
a)it looks at the text as something to be studied in itself.
b) it looks at the text as something to be studied in conjunction with
other texts.
c) it looks at the text as part of some larger context
6What is meant by ‘looking at the text as part of some larger
contextW
a) the author’s life or the historical period.
b) dealing primarily with the text itself.
c) ignoring any outside consideration.
d). All of the above answers a. h and c.
-7Formalist criticism is called so because its emphasis is on
a) various responses to the text.
b) the author’s world.
c) the author’s life.
d) the form of the work.
-8What is meant by the statement that the meaning is inherent
text
a) That it is nowhere found in the text.
b) That it is partially presented with the text.
c) That it is fully and completely presented within the text.
d) That texts are vague and meaning is therefore in-determinant.
-9Meaning is in-determinant means
a) it can be determined.
b) it cannot be determined.
c) it is fully given by the author.
d) it is all of the above answers a, b, and c.
-10Which kind of criticism pays attention to the author’s worldW
a) Feminist criticism.
b) Deconstructive criticism.
c) Reader-response criticism.
d) Historical criticism.
-11Which type of criticism argues that a work of art has no
meaning at the centre
a) Marxist criticism.
b) Deconstructive criticism.
c) Formalist criticism.
d) Biographical criticism.
-12One kind of historical research involves the study of
a) religion.
b) urban life as opposed to rural life.
c) the literary production of female authors.
d) biography.

[انترنت]

14The historical critic assumes :: writers are .... by the particular
social contexts in which they live
a) surrounded.
b) shaped.
c) obliged.
d) covered
.
-15Which kind of criticism sees rature as the product of economic
forces of the periodW
a) Marxist criticism.
b) Formalist criticism.
c) Psychological criticism.
d) Feminist criticism.
-16 1Feminist criticism
a) is concerned with the reade* s r - nse o
hI turns from the author to tle :wing to explain why we respond
certain ways.
c) examines the s ri:i:c in the framework of Freudian psychology.
d) grew out of the womens mover::::s of the 1960s
-17Evocative words are
a) silly words.
b) provocative words.
c) words that trigger off multiple associations.
d) meaningless words..

[انترنت]

20Which type of criticism is chiefly concerned with the reader’s
own response to the text W
a) Marxist criticism .
b) Reader-response criticism .
c) Feminist criticism .’
d) Psychoanalytic criticism .
- 21According to the reader-response theory, the reader
a) has a passive role in interpreting the text .
b) does not contribute to the final interpretation of the text
c) is directly involved in the process of interpretation .
d) is not given any consideration. Hence his interpretation is irrelevant .
-22Reading text is a ... by which written information is processed .
a) a game .
b) a responsibility .
c) a hobby .
d) a skill .
-23A reader-centered approach is an approach where your
interpretation is :
a) text-centered .
b) irrelevant to the text .
c) is based on the views of other readers .
d) takes into account the views of numerous critics .
-24According to the new method or model of reading .
a) readers do not interact with texts
b) readers are very passive. Hence they are participants in the
interpretation of the text
c) readers interact with texts .
d) readers may take nap as they read texts



يوجد اسئلة ثانيه اشوف انها مهمه وتثبت المعلومات

[انترنت]

32Reading has both . ... and cultural dimensions.
a) Economic.
b) accurate.
c) cognitive.
d) religious
.
-33The relationship between the signifier and the signified is
a) not cultural.
b) cultural.
c) intellectual.
d) enlightening.

35One reason for reading texts is
a) entertainment (amusement) only.
b) instruction only.
c) to enrich and deepen our experience only.
d) all of the above answers (a, b and c)
-36A polyvalent reading is the kind of reading that
a) produces a variety of responses and interpretations.
b) does not produce a variety of responses.
c) does not produce any response at all.
d) that encourages the reader to read texts monovalently
40The word ‘repertoire’ refers to
a) ammunition.
b) skill.
c) religion.
d) knowledge about literature and beliefs
41When we say that readers bring this repertoire to their reading,
we mean they
a) bring their ammunition to the battlefield.
b) bring money to spend on vacations.
c) bring to their experience of reading a complex set of expectations
and tormer experiences.
d) bring some friends to the party.
-42When we say that reading is always over-determined, we mean
a) that it is the product of a single factor.
b) that it is the product of multiple or various interconnected factors.
C) that it is the product of multiple, though uncoimected factors.
d) that it is the literary product of some black writers.
-43Ideology refers to
a) shared though diverse beliefs, assumptions and practices of a
particular society.
b) our knowledge about literary texts.
c) our former experience.
d) religious beliefs only. Thus it excludes the habits and practices of any
society
.
-44All readers bring values and assumptions .... from their cultural
backgrounds to their readings.
a) invented.
b) created.
c) acquired.
d) produced.

5Reading strategies are the various .... used to process a text.
a) discoveries.
b) tecimologies.
c) techniques.
d) communications.
-52A strong reading is the kind of reading that a) requires
someone to read absent-mindedly.
b) goes ‘against the grain of the text.
c) jumps from one poInt to the other haphazardly.
d) that requires someone to read with a strong heart54Texts and readers can not escape the pull of
a’) repertoire.
h critics.
c) authors.

d) idelogy

55Ideology has ... on our perception of the world and
interpretation of texts.
a) a force.
b) a weight.
c) a shape.
d) an impact.

[انترنت]

يوجد اسئلة اخرى اذا رغبتم نزلتها وبالتوفيق للجميع

خلونا نتعاون على حلها لتعم الفائده

[sherlock]

وش مصدر الاسئلة اخوي انترنت لاني بصراحة يوم قريت الجزء الاول احس اني اذاكر مادة ثانية ههههههه
الله يخارجنا منها بس

[انترنت]

المشاركة الأصلية كتبت بواسطة sherlock وش مصدر الاسئلة اخوي انترنت لاني بصراحة يوم قريت الجزء الاول احس اني اذاكر مادة ثانية ههههههه الله يخارجنا منها بس

اعتقد انها تخص جزء الخريطه للنقد الادبي في المقدمه والشابتر الاول وكذلك التعاريف اسئلة تعطي انطباع عن مواضع الاسئلة

[Dmar]

انترنت الاسئله انت كتبتها من كتابنا والا جبتها من موقع
وشاكرلك يالغالي

[sherlock]

الاسئلة مهمة جدا والله
فعلاً تثبت المعلومة بس تحتاج لحل

[عادل البركاتي]

أخواني لازم نتعاون أكثر في الموضوع المادة ماهي سهلة ودكتورها ايضا موسهل . في مواضيع قاعد أذاكرها لاكن مادري كيف تجي أسئلتها وخاصة الصفحات الي نزلها أخونا المسعودي من88-91 الي أكد عليها الدكتور انها جدا مهمه الله يوفقنا وياكم ونعديها